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Catalogue: most popular free digital art software, 3D & 2D design freeware download applications, OEM NFS, free 3d modeling, animation, graphic design shareware

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Welcome to the top free digital art software section. These pages have been designed to provide useful information to 3D & 2D graphic designers, artists, students, and art enthusiasts.
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SARGE 3D Software for Modeling, Animation, Rendering

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SARGE is an animation software development kit that is designed to help you import object and character animations from 3D modelling software into your own application or game engine, whether that it is based on OpenGL or Direct3D. Such importing software was available either as a part of the big and expensive game engines or as a third party stand-alone product. But sometimes, developing teams that were used to work with their favourite 3D modelling and animating software, had troubles and part time solutions of importing character animations into their own applications. From now on, it's not only that is possible to import them, but it is also extremely easy to do it.
With SARGE you are able to import and play character animation with bones that are using object's weightmaps to determine influence of each bone on animated object. SARGE supports object and bone parenting in the scene, so as the replacing of an object in the scene with another object. It does not matter if it has weightmaps, bones or it's own animation. Either way, you can parent it to anything, replace it with anything, or even use bones from any other objects in the scene to animate it. All kinds of object arrangements are possible.
-- software downloading file size 15MB
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Copyright © GNU GENERAL PUBLIC LICENSE: GNU General Public License is intended to guarantee your freedom to share and change free software--to make sure the software is free for all its users. This General Public License applies to most of the Free Software Foundation's software and to any other program whose authors commit to using it. (Some other Free Software Foundation software is covered by the GNU Library General Public License instead.)

This License applies to any program or other work which contains a notice placed by the copyright holder saying it may be distributed under the terms of this General Public License. The "Program", below, refers to any such program or work, and a "work based on the Program" means either the Program or any derivative work under copyright law: that is to say, a work containing the Program or a portion of it, either verbatim or with modifications and/or translated into another language. (Hereinafter, translation is included without limitation in the term "modification".)
 
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Gloodle 3D Fractal Software to create 2d images

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Gloodle A fun little app -- Now available for free!
Gloodle is "doodle with globs" -- drawing using 3D shapes to create 2D images with a lot of richness, complexity, and depth. Gloodle is a simple app that shows some hint of the immediate feedback that makes particleIllusion so fun and useable: in Gloodle you just draw on the window and cool things happen. Not much thinking required. There are plenty of controls to experiment with, and (like particleIllusion) a lot of power hidden under simple controls.
You can create many interesting and organic images with Gloodle, with powerful features including: Several symmetry options, including polar symmetry. The ability to import an image and "gloodle-ize" it.
Create a "pattern" out of a drawing, then draw with that pattern (can create some very intricate images!).
Add shading to a drawing (or portion of a drawing) to simulate depth, or use Chromadepth coloring (if you have the right 3D glasses!). Import your own shape images to draw with.
-- software downloading file size 6.6MB
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Most popular 3D & 2D software catalogue list
-- 3D studio MAX, Maya, Daz|Bryce, Vue’d Esprit 4. Cinema 4D, Poser, Terragen, Auto CAD, Realsoft 3D, trueSpace, Calimax and Povray, Blender, 3D Canvas, lightwave 3D, Lightscape, AIR, Mental Ray, Adobe Photoshop, Deep Paint, Macromedia Fireworks, Corel Draw, 3d Choreographer, Bodypaint 3D, geofrac2000, Bryce 5, terrainbuilder, Blueberry3D, World Builder, mojoworld, etc. After Effects , Adobe Acrobat , Bryce , Canvas , CorelDraw , Director/Shockwave Tips, Dreamweaver , Fireworks , Flash , Framemaker , Freehand , FrontPage ,Golive , Illustrator , InDesign , Infini-D , Pagemaker , Painter ,Paint Shop Pro TipsPhotoshop ,Poser , QuarkXpress , Ray Dream , Shockwave/DirectorStreamline ,Studio Max , SWiSH

Graphic Design Resources Directory is a Graphic Design Portal with Graphics Software Resources and Desktop Publishing Directory of DTP Graphics resources including Graphic Design Image Editing Graphics Software like Adobe Photoshop, Graphic Design Message BoardsForums, Photoshop Actions, Photoshop Filters, Photoshop Plugins, QuarkXpress Templates, Graphics Software Information, Online Graphic Design Classes, Graphic Design Schools, Graphic Design Jobs, and other graphic design resources.

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The Economics of Intellectual Property in a World without Frontiers: A Study of Computer Software
Book by Meheroo Jussawalla; Greenwood Press, 1992

Introduction
The principal objective of this work is to explore the problems arising from dynamic information technology (hereafter referred to as IT) in its application to intellectual property rights. In the context of a global marketplace of ideas, it appears as if political boundaries and the sovereignty of the nation-state are disappearing, making it increasingly difficult to scrutinize infringement on the many facets of intellectual property closely. This is particularly true in the case of computer software, the focus of this study. In a world of "computer hackers" and instantaneous transborder data flows (TBDFs), how successful are the laws to protect the owners and producers of computer software? As this work shows, there are legal and institutional factors that both constrict and facilitate the free flow of computer-based information.

For the free flow of transborder information, the Organization for Economic Cooperation and Development (OECD) developed guidelines to promote access to data and to seek transparency in regulatory policies relating to computerized communications and thereby promoted harmonized solutions. No such guidelines are present to prevent piracy of information. There is no institutional framework in existence to guide international trust in generating and producing software programs that are not open to domestic and international piracy. This book, therefore, analyzes the legal and political economy implications of investment in the software programming industry and the near futility of monitoring and enforcing protection of intellectual property in that industry. The problems emerge because the same electronic technology that makes it easy and cost-effective for consumers and business corporations to access, store, and transmit data has been used by pirates for unlawful copying. Personal computers enable operators to make exact replicas of computer software in the privacy of their homes and offices without the prior consent of the software owners. As Gary Hoffman ( 1990) and the U.S. Congress Office of Technology Assessment (OTA) ( 1986) have noted, civil suits largely have become ineffective as a means of enforcing intellectual property rights. Computer networks are highly decentralized and their use does not fit into existing intellectual property legislation. As such, this work is designed to integrate the economic and legal issues within the framework of the global political economy, and to address all three aspects (economic, legal, and international) of the problem of intellectual property.

Protection of intellectual property rights now occupies center stage in international relations. IT has pushed the issue of intellectual property forward with its multifaceted impact on marketoriented economic activities. In the field of intellectual property, it has wrought havoc and has led to various protective laws. While intellectual property is a public good, its embodiment in physical form is not. If the definition of a public good is that the consumption of a good by one individual does not lead to any subtraction from any other individual's consumption of that good ( Samuelson 1976), then intellectual property satisfies the definition. But the physical embodiment of intellectual property in books, journals, computer diskettes, and audiotapes and videotapes is not a public good ( Besen 1987). Private-property rights motivate the producers of intellectual property because they receive royalties and income from the use of that property. In the case of information, Arrow ( 1962) points out a fundamental paradox in that the value of the information to the purchaser is not known until the purchaser has the information, but then he or she, in effect, has acquired it. The exclusion principle does not apply to public goods, especially knowledge-intensive ones.

Private property is the most important social institution for facil- itating productive social cooperation. Even so, competition provides the edge for the protection of intellectual property rights. Proprietary information gives its owner a comparative advantage over competitors. Competition, according to Dwight Lee ( 1981), is the direct result of the inescapable condition of scarcity. Deficiencies in the protection of intellectual property rights create trade distortions and loss of export sales. This has become a worldwide problem because inadequate measures for protecting intellectual property in different countries affect the balance of trade in countries that export knowledge-based products and services. These measures apply to copyrights, patents, trademarks, proprietary technical data, and semiconductor masks. The U.S. government appointed a commission under the leadership of Susan Leibeler to report on losses to U.S. trade from inadequate intellectual property protection (IPP) in foreign countries. The report, published in 1988 by the office of the U.S. trade representative (USTR) ( 1988), reveals the infringement of intellectual property rights in each area (e.g., trademarks, patents, etc.) and assesses the losses on a worldwide basis.

In the United States, intellectual property is protected by clearly defined federal laws for copyrights and patents and state laws for trade secrecy. The federal statutes were amended in 1980 to cover computer programs and further extended in 1985 to masks used in making microchips. On January 1, 1978, the U.S. Copyright Act of 1976 (Title 17 of the United States Code) came into effect. This general revision of the copyright law (the first since 1909) makes important changes in the copyright system and is discussed in Chapter 3 of this book. Before 1978, the copyright law required as a condition for copyright protection that all copies published with authorization of the copyright owner bear a proper notice. The Copyright Act of 1978 does not provide retroactive protection to those works published before January 1976. The 1980 law extended the applicability of copyright to computer programs. Under Title 17 of the United States Code (Section 914) the law was extended further to protect masks used for microchips after 1984.

Many countries have become aware of the impact of IT on copyrights and are introducing suitable amendments to their existing laws to cover software, databases, and microchips. The economic and legal problem is to balance the incentives to the creator of intellectual output with the overall need to provide equitable and...

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Free Digital 3D Art Software: free educational business foto software. Top full software downloads website for digital art and graphic designers.